June 9, 2022
Make Music Champions: Hydro’s goal in music is to connect people around the world
Hydro is a hip-hop singer-songwriter from Connecticut. He has been immersed in music since a young age. He discovered his love for music at a school talent show, and since then has developed his love for hip-hop and what music represents. Currently, he is mainly dedicated to composing original songs and organizing musical events in his local area.
How did you start making music?
I started making music as a child. When I was in sixth grade, I entered a talent show at school with a group of friends. At first, one of my friends and I were going to do comedy in collaboration with other friends who were going to do music. But, as soon as I saw my friend rapping, I knew I wanted to do that. I didn’t want to be on stage to be funny and tell jokes, I wanted to be out there rapping. I just fell in love with it. My friends helped me write my first verse, which we played together as a band and then recorded. We had a live hip-hop moment and, being a young boy in sixth grade, I just fell in love with the music, with making it and listening to it.
You’re a songwriter, do you also like making covers?
I’m mostly into songwriting, rather than covers. But what I do like to do sometimes is to write new verses to old popular songs in freestyle. It’s not a cover as such, it’s more like going with the music and what’s behind that song, and paying homage to the author of the original piece.
Are you a full-time musician?
Right now I’m a full-time musician. I’m a truck driver by trade and for a long time, I was delivering goods around different states like Connecticut, and Massachusetts, among others. I delivered Amazon packages and worked on my music on the side. Then when the covid pandemic hit, it changed the way people worked to make money, so I decided to work more independently in the driving business. Music has always been a passion and something constant in my day-to-day life, and in the last couple of years, I have been concentrating more and more on making and working on the form of my art and how to get it out to more people.
That’s awesome. And what types of things are you doing to get your music out there?
One of the main things I do, in the spirit of Make Music Day, is to generate musical experiences in places where people can come and listen to music. I love doing community based events and shows. Working with Make Music Day in my local community has put me in touch with other people and some organizations, whose connection has allowed me to work on other events and projects where I bring the energy of Make Music Day, which inspired me because of its history and the synergy between people around the world, which is something I think should happen more regularly. My goal is to bring music to people in new ways, live and in amazing venues that are easily accessible to the public and are not normally stages.
How did you find out about Make Music Day?
I found out about Make Music Day through the Greater Hartford Arts Council, which is a local organization that aims to support and empower artists in the area, as well as connect with others nationally who are doing the same thing they are. They do a great job creating opportunities and making artists aware of opportunities, which is really important, especially in the hip-hop world, as we’re not in big market areas and a lot of times artists here are just doing what they think they should be doing or copying what other famous people are doing. It can be very competitive and very stressful to run a music career, find opportunities to work on your art and connect with other people in your community. For that reason, I really value the mission of organizations like Make Music Day.
How has your experience at Make Music Day been?
It’s been amazing. I’ve made great connections with other artists, and Make Music Day has helped me find my voice as well. Being someone who expresses herself through art, Make Music Day allowed me to learn how to organize events and work with others, and recreate their unique spirit in new musical environments.
How would you describe what music means to you?
For me, music is life: an ever-changing experience that is different from day to day. Music is a very powerful art form and I love it. It’s peace, it’s love. I think it’s one of the greatest things we have.
Finally, what would you say your goal in music is?
To bring more music to people all over the world and use it as a unifying element. The beautiful thing about people is that we are all different and unique in our own way. I love the way music brings people from different places and cultures together. My goal is to connect people.
June 1, 2022
Americans For The Arts: Supporting Artists and Creating Community
Interview with AFTA Chief of Staff Daniel Fitzmaurice, conducted by the Make Music Alliance in May 2022.
Can you tell me a little bit about AFTA, and what the organization does?
We are a national arts service organization, really focused on building visibility and recognition about the value of the arts. Sometimes that manifests itself in the advocacy space, learning and training, research is a big area of our work as well, and perhaps most uniquely we work across the whole country and for any type of creative practice, artists or arts workers. There is no disciplinary boundary, no geographical boundary, it’s all in!
How did this organization begin?
AFTA in its present form represents a couple of organizations that came together in the late 90s. Together, they’ve been around for well over 60 years, about the same time as the local arts agency movement in this country. Part of it was to say that we need a national outlet to serve all of these local arts agencies that were forming, and then the other was this idea that we needed a national voice to speak for the arts in the political arena across the country. We have also added a business and arts component over the years from another organization that came in and nationalized with us, so it has very much evolved as the ecosystem has evolved, and the infrastructure of the ecosystem has evolved in this country.
What kind of training do you do?
We have an online platform called “Arts U” that provides a lot of online training and webinars for arts workers, which is very broadly defined as far as people’s levels of their career goes, or the types of engagement they have as creative workers. And, a lot of those resources also just live on our website, so they might not be an active part of the video experience, but the database of materials that you can access and pull into your own practice. So you could find a study or a report or a framework or a template and bring it to you.
What is next for AFTA, given the changes that have happened in the arts landscape in recent years?
The evolution is key; the organization is actually in a process because of covid, because of racial justice, because of our own desire to evolve and serve the needs of our country better. We operate under a value that everyone is an artist; just as, from my own experience in political organizing, everyone is a voter, even if you don’t vote; in the same way, everyone is an artist. Even if you don’t have an active practice, you have creativity and self expression inside you, and that is a big piece of connection between all of us. And again, as an organization that works across all those disciplines, that’s what we have in common, even as artists, that we have our own ways of connecting with that or of engaging with that. Audiences are also artists in their own ways. The whole ecosystem has many parts and everyone plays a unique role; there is a whole universe of different responsibilities and opportunities and not one is more important than the other, we need each other in that. Of course that is true all across society, but it is in creative contexts that I think it is extremely relevant. This is one of the challenges that an organization like AFTA faces, building work and building services and providing leadership that can contain multitudes; developing this work and supporting artists is the goal.
June 1, 2022
Keep Music Alive: Helping Kids and Adults Access the Benefits of Playing Music
Interview with Keep Music Alive co-founder Vincent James, conducted by the Make Music Alliance in May 2022
How did Keep Music Alive begin?
My wife and I founded it. It started as an informal organization back in 2014, when we launched a story search for a book series that is called “88 Ways Music Can Change Your Life”; it’s like a “Chicken Soup for the Music Lover’s Soul”, with inspirational stories about how music impacted different people’s lives. The concept for keep Music Alive organically grew out of that.
What are the main activities of Keep Music Alive?
In March of 2015 we started Teach Music Week, where we work with music stores and schools to offer a free music lesson to kids and adults, to inspire people to get started on their musical journey. There are now over a thousand schools and store locations in about a dozen countries that participate each year. About a year after that we started Kids Music Day on the first Friday in October; for this, we partner with the same locations around the world to offer some sort of event or promotion that benefits or celebrates kids playing music. That could be an instrument petting zoo, kids open mic, a student performance in house or in the community, an instrument donation drive, pretty much anything they can think of that benefits or celebrates kids playing music. In addition to these two major programs, year round we do Musical Instrument Petting Zoos.
How did you start playing music?
When I was in elementary school we were offered a chance to play a musical instrument; first I wanted to play guitar and drums, but guitar wasn’t offered, and my parents said no to the drums. So, I picked up the trombone and played in bands all the way through school, which was an awesome experience. When I was about 10 or 11, my mom convinced my dad to bring a piano into the house, because she had always wanted to learn the piano. I saw her learning and I was drawn like a bee to honey, asking when can I start. I took classical piano lessons for about 3 years and then I taught myself to play pop music, took a few lessons on guitar, and I’ve been writing and playing ever since. I think of myself as a semi professional musician. I have a full time unrelated job, but music has always been an extremely important part of who I am.
What are your goals and visions for Keep Music Alive?
We want to continue growing the organization, working on our fundraising to be able to support a small staff so that we can support 100-120 instrument petting zoos per year, and we also hope to do some sort of local grant program where we have grants to award instruments to schools or students that have a specific need. We want to continue to live in that space full time.
It’s wonderful that you include adults as well as children in your beginner music programs; how do you invite adult beginners to get involved?
That is very important to us. For Teach Music Week, our partners offer a free lesson to anyone who is interested, kids or adults. The Instrument Petting Zoos are generally geared toward kids, but we often have parents come in who are interested in learning, so we talk to them and give them ideas about getting started and point them in the right direction. I can’t count how many people come up to me and say “I always wished I had learned to play the piano” or guitar, whatever instrument they are interested in, and we always tell them it is never ever too late to start. One guitar student I had didn’t start playing guitar until he was 80 years young! He worked with me for 5 years until the pandemic came, and then we had to stop, but it was a great experience for him. His wife would talk about how it was so valuable, he got so much joy out of it and it helped to keep his mind clear. There are so many benefits to playing music for adults as well as for kids.
May 26, 2022
The Return of Sousapalooza
Since 2011, Make Music Chicago has pioneered the “Sousapalooza” – an invitation for hundreds of brass, wind, and percussion players to come together and sightread the music of The March King, John Philip Sousa.
After a couple of years off during the pandemic, Sousapaloozas will return in 2022 in cities around the U.S. from Portland ME to Wichita KS.
Want to bring Sousapalooza to your town? All you need is a bandleader, a location, and a way to spread the word to local brass and woodwind players.
Then just sign up here!
May 26, 2022
Introducing the Make Music Network
Make Music Day could never happen without hundreds of partners playing a part in each community.
To highlight some of our national non-profit colleagues, we've started the Make Music Network, a community of organizations who partner with the Make Music Alliance on June 21, and do meaningful work year-round to create a society of music-makers.
Check out our interviews with Maker Music Festival co-founder Sherry Huss, and Guitar 4 Vets co-founder Patrick Nettesheim.
(More interviews coming next month!)
May 26, 2022
Make Music Partner of the Week: D’Addario
D'Addario joins Make Music Day again this year as one of our Mass Appeal partners, providing free drumsticks for over 20 bucket drumming events in plazas and parks around the country!
All percussionists who attend – kids and adults, professionals and amateurs – will be handed a pair of D'Addario's ProMark drumsticks and invited to make music together. The goal is to spread the message that to make music, all you need is a beat in your heart… and a pair of sticks.
Thank you D'Addario!
May 26, 2022
Make Music Region of the Week: Southeastern Connecticut
Since Make Music Connecticut began four years ago, the state's southeast has stood out for its incredible Make Music Days. (Check out this video from Make Music New London in 2018!)
This year will feature 100+ performances across the region on June 21, including main stages in downtown New London at the Whale Tail, Hygienic Art, and the Garde Arts Center; a jam-packed schedule in Old Lyme with a Music Stroll along Lyme Street; and the Afro-Semitic Experience at the Henry Witfield State Museum in Guilford.
More at the Make Music Southeastern Connecticut website!
May 19, 2022
#MySongIsYourSong!
Songwriters and composers of all kinds are invited to join Make Music Day's 3rd annual global song swap, called #MySongIsYourSong.
Sign up to learn and perform a song by another artist, from another part of the world, and hear one of your original songs covered by them in return! Nearly 200 artists took part in 2021, with more expected in 2022. In order to guarantee a match, you must register by May 23rd at makemusicday.org/songswap. Partners will be carefully selected and introduced the first week of June, then will share their video performances on June 21.
(Don't write your own music? Don't feel left out! Join Make Music Day UK's Global Folk Challenge: share a folk song from your country, and in exchange, learn and perform a different folk song submitted by another participating musician – sign up by May 23rd!)
May 19, 2022
The NAMM Show + The American Song
Over the last two years, Make Music Day's The American Song has captured the stories and experiences of ordinary people from around the country. On June 21, 50 professional songwriters video-chatted with an interviewee in the morning, wrote a song inspired by the conversation in the afternoon, and then performed it online that evening.
In June 2022, for the first time, The American Song will become a live, in-person event at The NAMM Show in Anaheim California! Songwriters will interview randomly selected attendees to learn about their lives, then come up on stage 24 hours later to play a brand new song inspired by their conversations. All songs will be filmed and released for Make Music Day on June 21, 2022.
Register to attend this year's NAMM Show on June 3-5!
May 19, 2022
Make Music Partner of the Week: Panyard
Steelpans are the only family of chromatic, acoustic instruments developed in the last century. Invented in Trinidad around the Second World War, they are traditionally handmade from oil drums, and hand-tuned by a small number of master pan tuners.
Although historically hard to come by, steelpans will be found in 19 cities around the US in participatory events and “petting zoos” for Make Music Day 2022, thanks to Panyard’s Jumbie Jams, an entry level steel pan designed to be easily playable by anyone.
Many thanks to Panyard!